Great Expectations (1861)

Chapter XI

At the appointed time I returned to Miss Havisham's, and my hesitating ring at the gate brought out Estella. She locked it after admitting me, as she had done before, and again preceded me into the dark passage where her candle stood. She took no notice of me until she had the candle in her hand, when she looked over her shoulder, superciliously saying, "You are to come this way to-day," and took me to quite another part of the house.

The passage was a long one, and seemed to pervade the whole square basement of the Manor House. We traversed but one side of the square, however, and at the end of it she stopped, and put her candle down and opened a door. Here, the daylight reappeared, and I found myself in a small paved courtyard, the opposite side of which was formed by a detached dwelling-house, that looked as if it had once belonged to the manager or head clerk of the extinct brewery. There was a clock in the outer wall of this house. Like the clock in Miss Havisham's room, and like Miss Havisham's watch, it had stopped at twenty minutes to nine.

We went in at the door, which stood open, and into a gloomy room with a low ceiling, on the ground-floor at the back. There was some company in the room, and Estella said to me as she joined it, "You are to go and stand there boy, till you are wanted." "There", being the window, I crossed to it, and stood "there," in a very uncomfortable state of mind, looking out.

It opened to the ground, and looked into a most miserable corner of the neglected garden, upon a rank ruin of cabbage-stalks, and one box-tree that had been clipped round long ago, like a pudding, and had a new growth at the top of it, out of shape and of a different color, as if that part of the pudding had stuck to the saucepan and got burnt. This was my homely thought, as I contemplated the box-tree. There had been some light snow, overnight, and it lay nowhere else to my knowledge; but, it had not quite melted from the cold shadow of this bit of garden, and the wind caught it up in little eddies and threw it at the window, as if it pelted me for coming there.

I divined that my coming had stopped conversation in the room, and that its other occupants were looking at me. I could see nothing of the room except the shining of the fire in the window-glass, but I stiffened in all my joints with the consciousness that I was under close inspection.

There were three ladies in the room and one gentleman. Before I had been standing at the window five minutes, they somehow conveyed to me that they were all toadies and humbugs, but that each of them pretended not to know that the others were toadies and humbugs: because the admission that he or she did know it, would have made him or her out to be a toady and humbug.

They all had a listless and dreary air of waiting somebody's pleasure, and the most talkative of the ladies had to speak quite rigidly to repress a yawn. This lady, whose name was Camilla, very much reminded me of my sister, with the difference that she was older, and (as I found when I caught sight of her) of a blunter cast of features. Indeed, when I knew her better I began to think it was a Mercy she had any features at all, so very blank and high was the dead wall of her face.

"Poor dear soul!" said this lady, with an abruptness of manner quite my sister's. "Nobody's enemy but his own!"

"It would be much more commendable to be somebody else's enemy," said the gentleman; "far more natural."

"Cousin Raymond," observed another lady, "we are to love our neighbor."

"Sarah Pocket," returned Cousin Raymond, "if a man is not his own neighbor, who is?"

Miss Pocket laughed, and Camilla laughed and said (checking a yawn), "The idea!" But I thought they seemed to think it rather a good idea too. The other lady, who had not spoken yet, said gravely and emphatically, "Very true!"

"Poor soul!" Camilla presently went on (I knew they had all been looking at me in the mean time), "he is so very strange! Would anyone believe that when Tom's wife died, he actually could not be induced to see the importance of the children's having the deepest of trimmings to their mourning? 'Good Lord!' says he, 'Camilla, what can it signify so long as the poor bereaved little things are in black?' So like Matthew! The idea!"