This collection consists of poems that are elaborately concentrated on how different sides of a 'painting' can create confusion about the truth of their commonality. In short, this collection questions the nature of Contrast, following my belief in the Non-Existence of Good or Evil. While the poems might not reflect it directly, as vagueness is my habit, there is an abstract context to each. The painting, included in the Prologue credits (the cover), was painted by yours truly as well.
6 parts