chapter 65

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chapter 65. 065 struggle and resistance

    As Professor Hu used the multimedia pen button to slide, the storyboard made by Shen Yi was also presented in front of all the students.

    Seeing Shen Yi's name appearing, the eyes of the classmates turned from her to the screen projection.

    Most people in the class treat Shen Yi with prejudice. She is at the same age and has no outstanding background, but she became famous because of her young opportunity, and it was smooth sailing. The homework is still very good, so it is estimated that many people will have mixed feelings when they go back from get out of class today.

    But Lao Hu's habits are known to everyone, and the best ones are mentioned at the end.

    Several scholars in the class have talked about it before, and finally it is Shen Yi's part, which shows that it is special.

    Many people reacted at this time. No wonder Professor Hu let her in after hearing Shen Yi's name. Teachers can't help but prefer outstanding students.

    Wu Shasha's eyelids twitched during the live broadcast, and she had an ominous premonition, but looking at the audience who kept saying on the barrage that they wanted to see Shen Yi's homework, she couldn't stand the pressure and turned the camera over.

    A somber storyboard is playing on the big screen.

    For non-major students who are only in their second year and have no relevant foundation before, Professor Hu certainly will not assign a feature film assignment to the students of the performance department to complete.

    Therefore, the length requirement of this assignment is a short video of about ten minutes, which requires the content and theme of the story.

    The storyboard of Shen Yi's short film called "Stick" is not long. The story revolves around a mother and son who sells cooking cakes in a small village deep in the mountains. A young man, next to a woman who is not tall but looks very strong. The two are holding a long stick in the yard and practicing a stick technique.

    This stick method is very strange. The whole person holds the long stick, and then uses the force of the body to stand it horizontally.

    Originally, this picture is not very expressive, but the person who drew this sketch seems to have consulted a martial arts instructor. Although this trick seems confusing, the way of exerting force and movement trajectory are very reasonable, and it does not seem to be false and exaggerated. Feel.

    The boy couldn't learn this trick. He wanted to be lazy and was severely punished by his mother.

    The entire short film has no lines, and the role of the script is only to indicate the characters, scenes, and the time occupied by each scene, accurate to the second.

    The storyboard draft is not meticulous, but it is very expressive. Through the switching of the near and distant scenes in the three chapters, it vividly shows the boy's indifference at the beginning, his sleepy eyes, and his mother's anger and loss after learning the stick method.

    The expressiveness of the storyboard alone is a bonus.

    Don’t underestimate the role of storyboards. This is critical for assisting the photographer to understand the ideas in the director’s mind. The stronger the storyboard’s expressive power, the more instructive it will be for the actual shooting.

    Professor Hu paused the screen and asked the students, "What background do you guys say this family is from?

    "

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