Night Of Knives

Chapter 7

Men appear outside, half a dozen, their silhouettes warped by the shimmering curtain of the waterfall. When they enter Veronica recognizes them as their jungle abductors. Two of them hold rifles; the others have pangas dangling from their belt. They are led by Patrice.

The one-eyed man produces a key, undoes their chains, withdraws them from the anchor rock, then reattaches them to the big padlock so the captives remain yoked together by their ankles. The others go among them, grabbing their arms and pulling them to their feet without niceties. It all happens very quickly. Veronica allows herself to be pulled along after Patrice, through the waterfall, out of the cave. The sudden sunlight is blinding.

They are led down along a muddy trail that winds through ragged plots of farmland worked by women, children, and a few old men, all barefoot and dressed in rags. Some are half-crippled by injury; others have misshapen goiters erupting from their necks. Some wield hoes with big metal blades that look rusting shovel heads. The rest use sticks and bare hands. All watch amazed as the white captives are led through their fields like cattle being taken to slaughter. The occasional buildings are mud huts with misshapen walls and unevenly thatched roofs. Only a few scrawny goats and chickens are visible.

"Vous voyez," Patrice says. He sounds angry. "You see."

Veronica is too caught up in her own misery to sympathize with that of these strangers. Her strength has ended, she is only able to walk because Derek is holding her up. They stagger to the bottom of the hill, to a broad, flat bean patch where Gabriel and the dishdash man stand as if waiting for a bus. The dishdash man holds a white telephone as big as a brick; it looks like a cell phone from the 1980s. The word Thuraya is embossed on its plastic shell.

"You see," Gabriel says to them, indicating the fields around them, and their wretched inhabitants. His voice is serious, as if he is imparting great wisdom. "This is my home. This is where I grew. Once there was a school and a church. Now they are ashes. The jungle has grown over the roads that once led here. We cannot grow enough to feed ourselves. We have no money for the market. We are too far from the roads to trade, we have no gold or gasoline to smuggle. We would leave our ancestors' land, but there is nowhere to go. Even the pygmies live better than us. We must have money. We must be strong. We have no choice. It is strength or death. You understand?" He sounds almost guilty.

The captives stare at him dully. He nods shortly, as if he has explained everything, and looks up to the western sky. Patrice produces lengths of mudstained yellow rope and begins to go among the captives, binding their arms behind them as he did in the jungle. Veronica cries out as the rope tightens on her scabbed wrists, but she doesn't resist. There doesn't seem to be any point. Her fate seems preordained.

Once they are roped together again, into two groups of four, their ankle chains are removed and piled beside Gabriel. The man in the dishdash walks among the captives, examining them carefully, as if looking for flaws. Veronica's shoulders and wrists are hurting again, she wishes their chains had not been replaced by ropes.

She hears a faint and familiar noise, the distant buzz of an approaching helicopter. Hope soars in her heart as she thinks of the UN helicopter they saw. But the buzzing aircraft that crests the hill, moving straight towards them like some gigantic June bug, is painted black, not UN white.

As the helicopter nears its noise becomes incredible, deafening. Its rotors are like smeared halos. Crops ripple as it passes low above the fields, and the wind it generates is gale-force, Veronica has to lean forward to stay upright as the helicopter stoops and lands in the bean field before them. The rotor wash crushes the nearby plants flat.

A watchful part of her mind notes the aircraft's streaked and peeling paint, the fading Cyrillic letters stencilled on its nose. The pilot is a white man, unrecognizable behind a helmet and bulky radio headset. The passenger compartment is occupied by three rusting metal benches. A man in a dishdash, holding one of the rifles with wooden handles and curved ammunition clips - a Kalashnikov, according to Derek - sits alone in the back row.