Chapter LXXXIV - Beauchamp

1.1K 44 23
                                    

The daring attempt to rob the count was the topic of conversation throughout Paris for the next fortnight. The dying man had signed a deposition declaring Benedetto to be the assassin. The police had orders to make the strictest search for the murderer. Caderousse's knife, dark lantern, bunch of keys, and clothing, excepting the waistcoat, which could not be found, were deposited at the registry; the corpse was conveyed to the morgue. The count told every one that this adventure had happened during his absence at Auteuil, and that he only knew what was related by the Abbe Busoni, who that evening, by mere chance, had requested to pass the night in his house, to examine some valuable books in his library. Bertuccio alone turned pale whenever Benedetto's name was mentioned in his presence, but there was no reason why any one should notice his doing so. Villefort, being called on to prove the crime, was preparing his brief with the same ardor that he was accustomed to exercise when required to speak in criminal cases.

But three weeks had already passed, and the most diligent search had been unsuccessful; the attempted robbery and the murder of the robber by his comrade were almost forgotten in anticipation of the approaching marriage of Mademoiselle Danglars to the Count Andrea Cavalcanti. It was expected that this wedding would shortly take place, as the young man was received at the banker's as the betrothed. Letters had been despatched to M. Cavalcanti, as the count's father, who highly approved of the union, regretted his inability to leave Parma at that time, and promised a wedding gift of a hundred and fifty thousand livres. It was agreed that the three millions should be intrusted to Danglars to invest; some persons had warned the young man of the circumstances of his future father-in-law, who had of late sustained repeated losses; but with sublime disinterestedness and confidence the young man refused to listen, or to express a single doubt to the baron. The baron adored Count Andrea Cavalcanti: not so Mademoiselle Eugenie Danglars. With an instinctive hatred of matrimony, she suffered Andrea's attentions in order to get rid of Morcerf; but when Andrea urged his suit, she betrayed an entire dislike to him. The baron might possibly have perceived it, but, attributing it to a caprice, feigned ignorance.

The delay demanded by Beauchamp had nearly expired. Morcerf appreciated the advice of Monte Cristo to let things die away of their own accord. No one had taken up the remark about the general, and no one had recognized in the officer who betrayed the castle of Yanina the noble count in the House of Peers. Albert, however felt no less insulted; the few lines which had irritated him were certainly intended as an insult. Besides, the manner in which Beauchamp had closed the conference left a bitter recollection in his heart. He cherished the thought of the duel, hoping to conceal its true cause even from his seconds. Beauchamp had not been seen since the day he visited Albert, and those of whom the latter inquired always told him he was out on a journey which would detain him some days. Where he was no one knew.

One morning Albert was awakened by his valet de chambre, who announced Beauchamp. Albert rubbed his eyes, ordered his servant to introduce him into the small smoking-room on the ground-floor, dressed himself quickly, and went down. He found Beauchamp pacing the room; on perceiving him Beauchamp stopped. "Your arrival here, without waiting my visit at your house to-day, looks well, sir," said Albert. "Tell me, may I shake hands with you, saying, 'Beauchamp, acknowledge you have injured me, and retain my friendship,' or must I simply propose to you a choice of arms?"

"Albert," said Beauchamp, with a look of sorrow which stupefied the young man, "let us first sit down and talk."

"Rather, sir, before we sit down, I must demand your answer."

"Albert," said the journalist, "these are questions which it is difficult to answer."

"I will facilitate it by repeating the question, 'Will you, or will you not, retract?'"

The Count of Monte Cristo (1845) (Completed)Where stories live. Discover now