Chapter 23: Deal with Ghosts

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"Your aunt is in the back parlour," said Caroline Priest. "Come this way. Are you tired?"

"No," said Emily, following Caroline and taking her in thoroughly. If Caroline were a witch she was a very small one. She was really no taller than Emily herself. She wore a black silk dress and a little string cap of black net edged with black ruching on her yellowish white hair. Her face was more wrinkled than Emily had ever supposed a face could be and she had the peculiar grey-green eyes which, as Emily afterwards discovered, "ran" in the Priest clan. 

"You may be a witch," thought Emily, "but I think I can manage you."

They went through the spacious hall, catching glimpses on either side of large, dim, splendid rooms, then through the kitchen end out of it into an odd little back hall. It was long and narrow and dark. On one side was a row of four, square, smallpaned windows, on the other were cupboards, reaching from floor to ceiling, with doors of black shining wood. Emily felt like one of the heroines in Gothic romance, wandering at midnight through a subterranean dungeon, with some unholy guide. She had readThe Mysteries of Udolpho and The Romance of the Forest before the taboo had fallen on Dr Burnley's bookcase. She shivered. It was awful but interesting. At the end of the hall a flight of four steps led up to a door. Beside the steps was an immense black grandfather's clock reaching almost to the ceiling.  

"We shut little girls up in that when they're bad," whispered Caroline, nodding at Emily, as she opened the door that led into the back parlour.  

"I'll take good care you won't shut me up in it," thought Emily.

The back parlour was a pretty, quaint old room where a table was laid for supper. Caroline led Emily through it and knocked at another door, using a quaint old brass knocker that was fashioned like a chessy-cat, with such an irresistible grin that you wanted to grin, too, when you saw it. Somebody said, "Come in," and they went down another four steps—was there ever such a funny house?—into a bedroom. And here at last was Great-Aunt Nancy Priest, sitting in her arm-chair, with her black stick leaning against her knee, and her tiny white hands, still pretty, and sparkling with fine rings, lying on her purple silk apron.  

Emily felt a distinct shock of disappointment. After hearing that poem in which Nancy Murray's beauty of nut-brown hair and starry brown eyes and cheek of satin rose had been berhymed she had somehow expected Great-Aunt Nancy, in spite of her ninety years, to be beautiful still. But Aunt Nancy was white-haired and yellow-skinned and wrinkled and shrunken, though her brown eyes were still bright and shrewd. Somehow, she looked like an old fairy—an impish, tolerant old fairy, who might turn suddenly malevolent if you rubbed her the wrong way—only fairies never wore long, gold-tasselled ear-rings that almost touched their shoulders, or white lace caps with purple pansies in them.

"So this is Juliet's girl!" she said, giving Emily one of her sparkling hands. "Don't look so startled, child. I'm not going to kiss you. I never held with inflicting kisses on defenceless creatures simply because they were so unlucky as to be my relatives. Now, who does she look like, Caroline?"  

Emily made a mental grimace. Now for another ordeal of comparisons, wherein dead-and-gone noses and eyes and foreheads would be dragged out and fitted on her. She was thoroughly tired of having her looks talked over in every gathering of the clans.

"Not much like the Murrays," said Caroline, peering so closely into her face that Emily involuntarily drew back. "Not so handsome as the Murrays."  

"Nor the Starrs either. Her father was a handsome man—so handsome that I'd have run away with him myself if I'd been fifty years younger. There's nothing of Juliet in her that I can see. Juliet was pretty. You are not as good-looking as that picture made you out but I didn't expect you would be. Pictures and epitaphs are never to be trusted. Where's your bang gone, Emily?"

Emily of New Moon (1923)Where stories live. Discover now