why do i need to name this it's a oneshot

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Kevin ran faster than he ever did before, his throat burned and his legs became wobbly, threatening to give up. But Kevin didn't pay attention to his body's protests, the only thing on his mind was a raven-haired boy, the boy that was from another world and yet from so close, being so close to him yet being unrecognized.

Kevin took a sharp 90° turn, his shoes slid on the wet concrete but he didn't fall and just kept running. Jughead's words still echoed through his head. His friend asked Archie if he could sleep over a few nights, his dad having a serpent thing and didn't want him to follow him, his 'detective of a son shouldn't be there for his own life's sake'. Thankfully Archie asked when the whole ordeal would take place so Kevin hadn't been caught eavesdropping. And thankfully Jughead trusted Archie enough to tell him.

But not so thankfully, Kevin's dad didn't fall asleep fast enough. The sheriff was always tired when he came home from work and usually fell asleep after dinner, but tonight he wanted to tell his son about his last case. In the end, Kevin said he had homework to do and left, only to sit on top of the stairs and wait. Soon his father's breath slowed and the boy sneaked down, a first-aid packet and another jacket on his hands. He fingered around the holster, freeing the gun and wrapping it in jacket. Then, quietly, but still as fast as possible, he left his house and turned for the old warehouse.

Joaquin told him where this warehouse was, they used it as a place to be when they wanted to be alone. Okay, let's be honest, when they wanted to make out without anybody interrupting them.

And while the authors described stuff so the reader knows stuff that's important for the story, Kevin has reached said warehouse. Several motorcycles and cars stood in front of it. And men talked in it. Their voices were only hearable due to the echo in the empty building; also the men didn't care to lower them.

Kevin knew the architecture of the house quite well, him and Joaquin going exploring when they wanted to talk or not make out [haha yeah that happens sometimes too believe it or not] and needed something else to do with their hands. Because, you know, hormones.

The old and rusty stairs at the back didn't look trustworthy but they didn't even move when you climbed them up right. They led to a sort of second story, but in the middle was a huge hole, enabling a good look to the ground story. Stair cases led down, but nobody bothered to climb them up, giving Kevin a perfect hiding spot.

The men stood at two fronts, the serpents on Kevin's left, their client on his right. Joaquin was in the back, only about 50 meters away from Kevin, and fidgeted his hands behind his back. That meant he was nervous as hell.

Suddenly one of the clients screamed in rage, Kevin hasn't noticed their voices rising until they shouted, he was too caught up in Joaquin's facial features. A broad-necked bodyguard tried to calm the angry man, but another slipped through his arms and went to punch F. P., almost succeeding but the serpent next to their leader hit him first, sending the suit-wearer to the ground.

With that, all hell broke loose, fists hit jaws, blood dripped, bones crashed. Men went down, many of them unconscious. In the chaos, Kevin has lost Joaquin, but then something neon green caught his gaze. That neon green was a bracelet he gave his boyfriend a few weeks ago. A snake eating a heart was printed on it. Then it vanished as a very buff and muscular man blocked the view, pulled back his fist and threw it onto the boy's stomach. Joaquin went down with a groan.

Out of desperation, Kevin reached for the gun, stood up and shot into the air. Everybody stopped in their tracks. Their faces turned towards him and twisted as they recognized him as the sheriff's son.

"Kill him! He gonna report! Whatcha waitin' for?!"

Thugs went for the stairs, one of them the man that just hit Joaquin, but the boy suddenly jumped up and put his arm around his neck, trying to strangle him.

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