XXII. Mary's Efforts to Prove an Alibi

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'There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was, with its stored thunder, labouring up.'

KEATS' 'HYPERION'


No sooner was Mary alone than she fastened the door, and put the shutters up against the window, which had all this time remained shaded only by the curtains hastily drawn together on Esther's entrance, and the lighting of the candle.

She did all this with the same compressed lips, and the same stony look that her face had assumed on the first examination of the paper. Then she sat down for an instant to think; and rising directly, went, with a step rendered firm by inward resolution of purpose, up the stairs;—passed her own door, two steps, into her father's room. What did she want there?

I must tell you; I must put into words the dreadful secret which she believed that bit of paper had revealed to her.

Her father was the murderer!

That corner of stiff, shining, thick writing-paper, she recognised as part of the sheet on which she had copied Samuel Bamford's beautiful lines so many months ago—copied (as you perhaps remember) on the blank part of a valentine sent to her by Jem Wilson, in those days when she did not treasure and hoard up every thing he had touched, as she would do now.

That copy had been given to her father, for whom it was made, and she had occasionally seen him reading it over, not a fortnight ago she was sure. But she resolved to ascertain if the other part still remained in his possession. He might, it was just possible he might, have given it away to some friend; and if so, that person was the guilty one, for she could swear to the paper anywhere.

First of all she pulled out every article from the little old chest of drawers. Amongst them were some things which had belonged to her mother, but she had no time now to examine and try and remember them. All the reverence she could pay them was to carry them and lay them on the bed carefully, while the other things were tossed impatiently out upon the floor.

The copy of Bamford's lines was not there. Oh! perhaps he might have given it away; but then must it not have been to Jem? It was his gun.

And she set to with redoubled vigour to examine the deal-box which served as chair, and which had once contained her father's Sunday clothes, in the days when he could afford to have Sunday clothes.

He had redeemed his better coat from the pawn-shop before he left, that she had noticed. Here was his old one. What rustled under her hand in the pocket?

The paper! "Oh! Father!"

Yes, it fitted; jagged end to jagged end, letter to letter; and even the part which Esther had considered blank had its tallying mark with the larger piece, its tails of ys and gs. And then, as if that were not damning evidence enough, she felt again, and found some bullets or shot (I don't know which you would call them) in that same pocket, along with a small paper parcel of gunpowder. As she was going to replace the jacket, having abstracted the paper, and bullets, &c., she saw a woollen gun-case made of that sort of striped horse-cloth you must have seen a thousand times appropriated to such a purpose. The sight of it made her examine still further, but there was nothing else that could afford any evidence, so she locked the box, and sat down on the floor to contemplate the articles; now with a sickening despair, now with a kind of wondering curiosity, how her father had managed to evade observation. After all it was easy enough. He had evidently got possession of some gun (was it really Jem's; was he an accomplice? No! she did not believe it; he never, never would deliberately plan a murder with another, however he might be wrought up to it by passionate feeling at the time. Least of all would he accuse her to her father, without previously warning her; it was out of his nature).

'Mary Barton' by Elizabeth GaskellWhere stories live. Discover now