Chapter 11- IN THE COTTAGE

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IT was but half-past four the next morning when Dinah, tired of lying awake listening to the birds and watching the growing light through the little window in the garret roof, rose and began to dress herself very quietly, lest she should disturb Lisbeth. But already some one else was astir in the house, and had gone downstairs, preceded by Gyp. The dog's pattering step was a sure sign that it was Adam who went down; but Dinah was not aware of this, and she thought it was more likely to be Seth, for he had told her how Adam had stayed up working the night before. Seth, however, had only just awakened at the sound of the opening door. The exciting influence of the previous day, heightened at last by Dinah's unexpected presence, had not been counteracted by any bodily weariness, for he had not done his ordinary amount of hard work; and so when he went to bed; it was not till he had tired himself with hours of tossing wakefulness that drowsiness came, and led on a heavier morning sleep than was usual with him.

But Adam had been refreshed by his long rest, and with his habitual impatience of mere passivity, he was eager to begin the new day and subdue sadness by his strong will and strong arm. The white mist lay in the valley; it was going to be a bright warm day, and he would start to work again when he had had his breakfast.

"There's nothing but what's bearable as long as a man can work," he said to himself; "the natur o' things doesn't change, though it seems as if one's own life was nothing but change. The square o' four is sixteen, and you must lengthen your lever in proportion to your weight, is as true when a man's miserable as when he's happy; and the best o' working is, it gives you a grip hold o' things outside your own lot."

As he dashed the cold water over his head and face, he felt completely himself again, and with his black eyes as keen as ever and his thick black hair all glistening with the fresh moisture, he went into the workshop to look out the wood for his father's coffin, intending that he and Seth should carry it with them to Jonathan Burge's and have the coffin made by one of the workmen there, so that his mother might not see and hear the sad task going forward at home.

He had just gone into the workshop when his quick ear detected a light rapid foot on the stairs—certainly not his mother's. He had been in bed and asleep when Dinah had come in, in the evening, and now he wondered whose step this could be. A foolish thought came, and moved him strangely. As if it could be Hetty! She was the last person likely to be in the house. And yet he felt reluctant to go and look and have the clear proof that it was some one else. He stood leaning on a plank he had taken hold of, listening to sounds which his imagination interpreted for him so pleasantly that the keen strong face became suffused with a timid tenderness. The light footstep moved about the kitchen, followed by the sound of the sweeping brush, hardly making so much noise as the lightest breeze that chases the autumn leaves along the dusty path; and Adam's imagination saw a dimpled face, with dark bright eyes and roguish smiles looking backward at this brush, and a rounded figure just leaning a little to clasp the handle. A very foolish thought—it could not be Hetty; but the only way of dismissing such nonsense from his head was to go and see WHO it was, for his fancy only got nearer and nearer to belief while he stood there listening. He loosed the plank and went to the kitchen door.

"How do you do, Adam Bede?" said Dinah, in her calm treble, pausing from her sweeping and fixing her mild grave eyes upon him. "I trust you feel rested and strengthened again to bear the burden and heat of the day."

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