Chapter 7

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At that epoch, Father Gillenormand was well past his ninety-first birthday. He still lived with Mademoiselle Gillenormand in the Rue des Filles-du-Calvaire, No. 6, in the old house which he owned. He was, as the reader will remember, one of those antique old men who await death perfectly erect, whom age bears down without bending, and whom even sorrow cannot curve.

Still, his daughter had been saying for some time: "My father is sinking." He no longer boxed the maids' ears; he no longer thumped the landing-place so vigorously with his cane when Basque was slow in opening the door. The Revolution of July had exasperated him for the space of barely six months. He had viewed, almost tranquilly, that coupling of words, in the Moniteur: M. Humblot-Conté, peer of France. The fact is, that the old man was deeply dejected. He did not bend, he did not yield; this was no more a characteristic of his physical than of his moral nature, but he felt himself giving way internally. For four years he had been waiting for Marius, with his foot firmly planted, that is the exact word, in the conviction that that good-for-nothing young scamp would ring at his door some day or other; now he had reached the point, where, at certain gloomy hours, he said to himself, that if Marius made him wait much longer—It was not death that was insupportable to him; it was the idea that perhaps he should never see Marius again. The idea of never seeing Marius again had never entered his brain until that day; now the thought began to recur to him, and it chilled him. Absence, as is always the case in genuine and natural sentiments, had only served to augment the grandfather's love for the ungrateful child, who had gone off like a flash. It is during December nights, when the cold stands at ten degrees, that one thinks oftenest of the son.

M. Gillenormand was, or thought himself, above all things, incapable of taking a single step, he—the grandfather, towards his grandson; "I would die rather," he said to himself. He did not consider himself as the least to blame; but he thought of Marius only with profound tenderness, and the mute despair of an elderly, kindly old man who is about to vanish in the dark.

He began to lose his teeth, which added to his sadness.

M. Gillenormand, without however acknowledging it to himself, for it would have rendered him furious and ashamed, had never loved a mistress as he loved Marius.

He had had placed in his chamber, opposite the head of his bed, so that it should be the first thing on which his eyes fell on waking, an old portrait of his other daughter, who was dead, Madame Pontmercy, a portrait which had been taken when she was eighteen. He gazed incessantly at that portrait. One day, he happened to say, as he gazed upon it:—

"I think the likeness is strong."

"To my sister?" inquired Mademoiselle Gillenormand. "Yes, certainly."

"The old man added:—

"And to him also."

Once as he sat with his knees pressed together, and his eyes almost closed, in a despondent attitude, his daughter ventured to say to him:—

"Father, are you as angry with him as ever?"

She paused, not daring to proceed further.

"With whom?" he demanded.

"With that poor Marius."

He raised his aged head, laid his withered and emaciated fist on the table, and exclaimed in his most irritated and vibrating tone:—

"Poor Marius, do you say! That gentleman is a knave, a wretched scoundrel, a vain little ingrate, a heartless, soulless, haughty, and wicked man!"

And he turned away so that his daughter might not see the tear that stood in his eye.

Three days later he broke a silence which had lasted four hours, to say to his daughter point-blank:—

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