Chapter One

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Chapter One 

Sometimes I think I’m crazy. I’m sitting at a casino table in Atlantic City, and everyone around me is motionless. I call this the Quiet, as though giving it a name makes it seem more real—as though giving it a name changes the fact that all the players around me are frozen like statues, and I’m walking among them, looking at the cards they’ve been dealt.

The problem with the theory of my being crazy is that when I ‘unfreeze’ the world, as I just have, the cards the players turn over are the same ones I just saw in the Quiet. If I were crazy, wouldn’t these cards be different? Unless I’m so far gone that I’m imagining the cards on the table, too.

But then I also win. If that’s a delusion—if the pile of chips on my side of the table is a delusion—then I might as well question everything. Maybe my name isn’t even Darren.

No. I can’t think that way. If I’m really that confused, I don’t want to snap out of it—because if I do, I’ll probably wake up in a mental hospital.

Besides, I love my life, crazy and all.

My shrink thinks the Quiet is an inventive way I describe the ‘inner workings of my genius.’ Now that sounds crazy to me. She also might want me, but that’s beside the point. Suffice it to say, she’s as far as it gets from my datable age range, which is currently right around twenty-four. Still young, still hot, but done with school and pretty much beyond the clubbing phase. I hate clubbing, almost as much as I hated studying. In any case, my shrink’s explanation doesn’t work, as it doesn’t account for the way I know things even a genius wouldn’t know—like the exact value and suit of the other players’ cards.

I watch as the dealer begins a new round. Besides me, there are three players at the table: Grandma, the Cowboy, and the Professional, as I call them. I feel that now-almost-imperceptible fear that accompanies the phasing. That’s what I call the process: phasing into the Quiet. Worrying about my sanity has always facilitated phasing; fear seems helpful in this process.

I phase in, and everything gets quiet. Hence the name for this state.

It’s eerie to me, even now. Outside the Quiet, this casino is very loud: drunk people talking, slot machines, ringing of wins, music—the only place louder is a club or a concert. And yet, right at this moment, I could probably hear a pin drop. It’s like I’ve gone deaf to the chaos that surrounds me.

Having so many frozen people around adds to the strangeness of it all. Here is a waitress stopped mid-step, carrying a tray with drinks. There is a woman about to pull a slot machine lever. At my own table, the dealer’s hand is raised, the last card he dealt hanging unnaturally in midair. I walk up to him from the side of the table and reach for it. It’s a king, meant for the Professional. Once I let the card go, it falls on the table rather than continuing to float as before—but I know full well that it will be back in the air, in the exact position it was when I grabbed it, when I phase out.

The Professional looks like someone who makes money playing poker, or at least the way I always imagined someone like that might look. Scruffy, shades on, a little sketchy-looking. He’s been doing an excellent job with the poker face—basically not twitching a single muscle throughout the game. His face is so expressionless that I wonder if he might’ve gotten Botox to help maintain such a stony countenance. His hand is on the table, protectively covering the cards dealt to him.

I move his limp hand away. It feels normal. Well, in a manner of speaking. The hand is sweaty and hairy, so moving it aside is unpleasant and is admittedly an abnormal thing to do. The normal part is that the hand is warm, rather than cold. When I was a kid, I expected people to feel cold in the Quiet, like stone statues.

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