The Double

ℱ𝒾𝓋𝑒

At 11:50 a.m. the next day I do my best to swing into the Irvine like I own the place. Although I know the hotel is one of the most exclusive in the city. The lobby is decorated with sleek black vases on spotless glass tables, each holding a single white poppy with a hot-pink stem. The faint, light smell of green tea and fig wafts through the space as an olfactory welcome.

As my heart thumps, I remind myself it's only a hotel. I've been to a lot of hotels, including a honeymoon suite in Niagara Falls (not  on a honeymoon) that has a heart-shaped red hot tub with short, curly hairs decorating the taps. But there's no denying if I had to place the Irvine and that tourist trap on the map, they would occupy diametric spaces.

I try to look like I belong as I search for the elevators, which I can't find because the lobby has apparently been carved from a single slab of black marble traced with golden veins. I tilt down my sunglasses—I obeyed the disguise instructions, grateful because this wouldn't have occurred to me at all—and assess the situation. A woman in a black suit, so slender she's barely wider than her stilettoes, comes near me and I stop her.

"Sorry, can you tell me where the elevators are?"

She looks down her medically sculpted nose. "Do I look like the help?" Her voice is high and weedy.

Normally I'd crawl away and die after being given that look, but this time her attitude is like chewing on tinfoil. "Yes." I glance at her projecting chest as though searching for a name tag. "Aren't you Kimmy? From the front desk?" Then I sidestep her and walk away, rejoicing in my single hit at the one percent. Eat the rich.

I eventually find the elevators at the back of the lobby near the recessed concierge desk. The elevators are black marble as well, and I spend the time going up to the tenth floor wondering if some poor sap spends their time polishing every square inch of this design nightmare. The walls shine like mirrors, reflective enough that I can take off my hat and give my hair a final fix.

The elevator doors silently open onto a monochrome-gray corridor with bronze scones on the walls. My hand tightens on my purse, and I force my breath out through the lump in my chest. You don't need to take any deals. This is an informational interview only.

I check the directions painted in script on the wall and find Room 1010 ten doors down to the left. My hand hovers near the peephole: I can knock or I can run.

The choice is taken from me when the door swings open to reveal a woman I don't recognize. Her black hair is cut into a slick bob that parts precisely in the middle to frame her face and swings forward when she nods at me. "Ms. Bae?"

"Yes." I pull off my shades, and her eyes widen slightly as she gestures me in. I try to pretend this is nothing out of my ordinary, but this is no standard room. Every other place I've stayed has the closet to one side of the door, the bathroom on the other, and the bed in the room beyond placed on slightly stained industrial carpet, possibly with a faint pattern picked out in marron. Here I stand on a thick, ivory-toned Persian rug laid over dark hardwood floors in a room larger than my whole apartment. A conversation zone of deep white-leather couches surrounds a large, glossy black coffee table. Floor-to-ceiling windows reveal the ocean, and I can see the palm trees lining the coast. The air is slightly perfumed with cedar from a line of flickering black-jarred candles lining the side table.

I do my best to not look flustered but I know the red is creeping up my neck from nerves.

Duna stands as I enter, and I'm not surprised to see her watchdog Eunwoo there. I am surprised when my heart skips a beat he stands in a puddle of morning sun that lights him up. In all black with his hair tumbling down over his eyes, Cha Eunwoo is so hot and so cool that he should explode from the contrast.