The Goldfinch

Chapter 6 | Part 21

UTAH. THE SAN RAFAEL SWELL, as the sun came up, unrolled in inhuman vistas like Mars: sandstone and shale, gorges and desolate rust-red mesas. I'd had a hard time sleeping, partly because of the drugs, partly for fear that Popper might fidget or whine, but he was perfectly quiet as we drove the twisted mountain roads, sitting silently inside his bag on the seat beside me, on the side closest to the window. As it happened my suitcase had been small enough to bring aboard, which I was happy about for any number of reasons: my sweater, Wind, Sand and Stars, but most of all my painting,

which felt like an article of protection even wrapped up and out of view, like a holy icon carried by a crusader into battle. There were no other passengers in the back except a shy-looking Hispanic couple with a bunch of plastic food containers on their laps, and an old drunk talking to himself, and we made it fine on the winding roads all the way through Utah and into Grand Junction, Colorado, where we had a fifty-minute rest stop. After locking my suitcase in a coin-op locker, I walked Popper out behind the bus station, well out of the driver's sight, bought us a couple of hamburgers from Burger King and gave him water from the plastic top of an old carry- out container I found in the trash. From Grand Junction, I slept, until our layover in Denver, an hour and sixteen minutes, just as the sun was going down—where Popper and I ran and ran, for sheer relief of being off the bus, ran so far down shadowy unknown streets that I was almost afraid of getting lost, although I was pleased to find a hippie coffee shop where the clerks were young and friendly ("Bring him in!" said the purple-haired girl at the counter when she saw Popper tied out front, "we love dogs!") and where I bought not only two turkey sandwiches (one for me, one for him) but a vegan brownie and a greasy paper bag of home-made vegetarian dog biscuits.
I read late, creamy paper yellowed in a circle of weak lights, as the unknown darkness sped past, over the Continental Divide and out of the Rockies, Popper content after his romp around Denver and snoozing happily in his bag.
At some point, I slept, then woke and read some more. At two a.m., just as Saint-Exupéry was telling the story of his plane crash in the desert, we came into Salina, Kansas ("Crossroads of America")—twenty minute rest stop, under a moth-beaten sodium lamp, where Popper and I ran around a deserted gas station parking lot in the dark, my head still full of the book while also exulting in the strangeness of being in my mother's state for the first time in my life—had she, on her rounds with her father, ever driven through this town, cars rushing past on the Ninth Street Interstate Exit, lighted grain silos like starships looming in the emptiness for miles away? Back on the bus—sleepy, dirty, tired-out, cold—Popchik and I slept from Salina to Topeka, and from Topeka to Kansas City, Missouri, where we pulled in just at sunrise.

My mother had often told me how flat it was where she'd grown up— so flat you could see cyclones spinning across the prairies for miles—but still I couldn't quite believe the vastness of it, the unrelieved sky, so huge that you felt crushed and oppressed by the infinite. In St. Louis, around noon, we had an hour and a half layover (plenty of time for Popper's walk, and an awful roast beef sandwich for lunch, although the neighborhood was too dicey to venture far) and—back at the station—a transfer to an entirely different bus. Then—only an hour or two along—I woke, with the bus stopped, to find Popper sitting quietly with the tip of his nose poking out of the bag and a middle aged black lady with bright pink lipstick standing over me, thundering: "You can't have that dog on the bus."
I stared at her, disoriented. Then, much to my horror, I realized she was no random passenger but the driver herself, in cap and uniform.
"Do you hear what I said?" she repeated, with an aggressive side-to- side head tic. She was as wide as a prizefighter; the nametag, atop her impressive bosom, read Denese. "You can't have that dog on this bus." Then—impatiently—she made a flapping hand gesture as if to say: get him the hell back in that bag!
I covered his head up—he didn't seem to mind—and sat with rapidly shrinking insides. We were stopped at a town called Effingham, Illinois: Edward Hopper houses, stage-set courthouse, a hand-lettered banner that said Crossroads of Opportunity!
The driver swept her finger around. "Do any of you people back here have objections to this animal?"
The other passengers in back—(unkempt handlebar-moustache guy; grown woman with braces; anxious black mom with elementary-school girl; W. C. Fields–looking oldster with nose tubes and oxygen canister—all seemed too surprised to talk, though the little girl, eyes round, shook her head almost imperceptibly: no.
The driver waited. She looked around. Then she turned back to me. "Okay. That's good news for you and the pooch, honey. But if any—" she wagged her finger at me—"if any these other passengers back here complains about you having an animal on board, at any point, I'm going to have to make you get off. Understand?"
She wasn't throwing me off? I blinked at her, afraid to move or speak a word.