Works Cited

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Aivazovsky, Ivan. The Rainbow, 1873. Oil on canvas. Tretyakov Gallery, Moscow, Russia.

Denes, Agnes. Tree Mountain: A Living Time Capsule, 1996. Ylöjärvi, Finland.

Fausch, Deborah. "Rococo Modernism: The Elegance of Style." Perspecta, vol. 32, 2001, pp. 9–17. JSTOR, https://doi.org/10.2307/1567278. Accessed 24 Apr. 2024.

Fragonard, Jean-Honoré. The Swing, 1767. Oil on canvas. Wallace Collection, London.

Geissler, Marie. "Indigenous Agency in Australian Bark Painting." Arts (Basel), vol. 11, no. 5, 2022, pp. 84-, https://doi.org/10.3390/arts11050084.

Gralińska-Toborek, Agnieszka. "Ecology and Art – in the Network of Discourses: Ecology and Art – in the Network of Discourses." Art Inquiry, no. 23, 2021, pp. 125–41.

Hubbell, J. Andrew and John C. Ryan. Introduction to the Environmental Humanities. 1 ed. London: W.W. Routledge, 2022. ISBN: 978-1-351-20035-6.

Jones, Jessica. "Earth-Bodies as Re-Existence: Ana Mendieta's Siluetas Beyondthe Limits of Ecofeminism". Feminist Formations, Volume 34, Issue 3, Winter 2022, pp. 33-60.

Mendieta, Ana. Nile Born, 1984. Sand. MoMA Gallery, New York.

Norris, Ray. (2016). "Dawes Review 5: Australian Aboriginal Astronomy and Navigation." Publications of the Astronomical Society of Australia. 33. 10.1017/pasa.2016.25.

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