Chapter 3: People and Characters

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Individuals and group dynamics

3.1 People Are People

People and characters are among the most important elements in a piece of writing. In nonfiction, you need to treat subjects fairly, and in fiction, you need to make your characters believable.

To create the effect that a character, a made-up person, is real, a writer must have a deep understanding of people. What motivates them? What are their fears? What are their strengths and weaknesses?

Writing about real people presents its own set of challenges. If you’re writing about someone whom you adore or respect, how do you deal with their flaws, mistakes, and weaknesses? If you are writing about someone you despise, how do you treat them fairly or objectively?

When you’re telling someone else’s story, you take on a huge responsibility. Whether the people you write about are real or imagined, it’s a tough job.

The Exercise

Choose a real person and write a short story from that person’s life. This piece will be nonfiction, written in third person. Your mission is to tell a story rather than write a biographical piece. Use the prompts below if you need ideas:

1.     Some relationships are complicated: siblings who don’t speak to each other, couples who sleep in separate rooms, exes who still come to holiday dinners.

2.     Choose a celebrity or historical figure to write about. It can be someone living or dead. Do a little research about the person and then write a short piece telling a part of his or her story.

3.     There’s always a bad apple in the barrel: the bully on the playground, the snitch in the office, and the drama queen who stirs up trouble at every opportunity. They have stories, too!

4.     Authority figures: parents, bosses, and government officials. You know them; they’re in charge of the world. What’s their story?

5.     Bonus: for this prompt, you get to mix in a little fiction. Everybody loves a mysterious stranger. The cute barista. The handsome doctor. The eccentric woman who sits on the park bench every Thursday afternoon. Think of an interesting stranger you’ve seen around and concoct his or her story.

Tips: To add realism to your story, use dialogue, mannerisms, and gestures. Don’t spend too much time on physical descriptions; a few, choice details will suffice. Focus on revealing the inner conflict and struggles of your subjects through their words and actions.

Variations: Instead of writing a nonfiction piece, write fiction, but use a real person as inspiration for your main character.

Applications: If you can tell a good story about someone, you can probably get it published, whether it’s fiction or not.

3.2 We Are Family

They say you can pick your nose and you can pick your friends, but you can’t pick your family. In this exercise, you can pick anyone you want, but it has to be someone you know personally.

As a writer, you will find that you are occasionally called upon for obligatory writing duties. A friend might ask you to proofread her wedding announcement. Your mother might ask you to write your grandfather’s obituary. Requests for birth announcements, speeches, and eulogies may land on your doorstep with astounding frequency. After all, you’re the token writer among your friends, family, and coworkers.

This exercise will teach you how to write a piece that is personal and emotional while also respectful and somewhat formal.

The Exercise

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