Simple graphics or an iconic image, in his symbols man has sought across ages a moral-boosting energy and support. In art or in the course of day-today life, man has been using for millenniums symbols for portraying probabilities - the course that things might take as they occur or progress, and also for embodying the divine forces that steered his efforts into desired direction. The 'desired' being the goal of man's efforts he would resort to anything that takes him nearer to it. He would not hesitate tying an ordinary black thread around the arm or wearing it on his child's neck if it protected him against an ailment. Black was perhaps his means of infusing into his child's being as much negative/immunizing energy as defeated the adverseness of a disease. Tying a rag of her used wear - a sari, to a tree a woeful woman has been lodging since ages her petition to the unseen powers of nature. She has always believed that this would redeem her of her distress. The tradition saw, perhaps, her wear, being long on her body, becoming her integrated part and by tying its fragment to the tree - a part of nature, she believed her woes shall shift to the tree and from the tree to the nature. The concept re-affirms when the mother of a newborn seeks to clothe her child in someone's used garments preferably of the person whose character and ability she wished the child inherited. A few green chillis and a lemon, stringed and hung on a truck, crane, road roller or a mini tempo, secures his vehicle from every kind of mishap. In early morning when the eye has not yet divorced drowsiness some unseen messiah would emerge and hang the chilli-lemon chain along the bumper of his carrier, and soon after it is hung it acquires such magical powers as secures the vehicle against every mishap.