• the flipped consciousness of objects •

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how come you never neutralize
       never slow down
                                        never digest
  what's fed
                                          what's said
             what's real
you say you're making yourself happy
            you say nothing but this very moment exists on the very first page of a streak organizer
                          you say you're metal and soft and dead and alive with leaves crawling up your finger
                                       an outer skeleton that creeps in and out
and dances on the thread of your rotation
                 pointless
    and
                     heartbreaking
     and just pointless
you repeat and you know how ugly it makes your mind
                 you do it
                                     until you don't



03•07•18

this poem was an exercise i did where i imagined what two very intimate objects, my tasks journal and floral ring, would say to me if they could

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