In a small two-story house
Resides a family of four
That owns three black cats.
There is the eldest,
Named Joe
Skinny, sleek, and fast.
Then there's the middle,
Called John
Rugged, feisty, and tall.
And finally the kitten
Dubbed Callie
Who watches them both brawl.
Their hearts were stolen
By Joe first
When he sat beside their door.
They fed him
And built him a hut.
He'd be the only one, they swore.
But then John came by
And looked through
The back door's screen.
They ignored him
But then saw his eyes
And gave in to the green.
They thought that two
Would be all that they'd have
Until Callie sat on their chair.
Small and fuzzy,
She was hard to resist
Under all of the fluffy hair.
Focused on praising
The eldest of cats
And too busy doting the third
John had become
The least favorite kitten
And was abandoned by the herd.
When John and Joe
Would brawl too much,
It was the former shooed away
And while he ran
Through the opened door
The others continued to stay.
I witnessed this
And found me
Uncovering a metaphor.
I saw myself
Within that cat
On the opposite side of the door.
This family adored me too
Until the eldest friend talked
She was their daughter, of course
She said I was irresponsible
But the youngest friend was not
And to show her some remorse.
Youngest friend could stay
But as for me, however,
I was nothing but an outcast
Much the same fate
Found poor little John,
and I sympathized with the cat.
I took the ball of fur
Into my skinny arms
And cradled him against my chest
I held him there
Soft, warm and safe
And told him he was the best.
His small mouth opened
And let out
The softest mew.
"I know, I know,"
I whispered to him.
"We share a folie a deux."
YOU ARE READING
Stygian. Stagnant. Solitary.
PoetryDarkness. Stillness. Loneliness. Three hells, amassed within the contents of a human skull to torture the mind. Artistically speaking, they are the kerosene that keeps the fire of poetry alive. Consciously, they're traumatically destructive.