In Angono, Diego stumbles upon a hidden gallery filled with art from the early Spanish colonial period. He becomes captivated by a portrait of a woman who looks exactly like the girl he met on the bus. An old woman at the gallery warns him of disturbing the past, but Diego, fueled by a growing infatuation, ignores her warnings and seeks a way to meet the woman in the portrait. His actions carry unforeseen consequences, leaving him to grapple with the complex relationship between the past and present, and the power of art to both capture and distort reality.