chapter61

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Princess Sophie.
Sofi felt the emptiness as she heard Tying's cane strike on the ground and her voice fainted
Sheena scavenged us till he got knocked out at the driveway. She turns her head towards Langdon in the empty room, and she's numb in her body. Langdon would nod her head as if he were reading her thoughts No, Sophie "whispered a reassuring look in his eyes. I had the same idea.
When you told me your grandfather was a member of the fraternity, and you said he wanted to tell you a secret about your family. But this is not possible." Silence Langdon. Gonnier is not a Merovingian title.
Sophie didn't know how comfortable she was or how uncomfortable she was. Some time ago, Langdon asked
A passing question felt strange and didn't know why he wanted to know her mother's maiden name. But now she understood what he meant by it. "Showville?" I eagerly asked him but he shook his head again. "I'm sorry. I know that it was something to answer for each other.
I'll ask you what you did. There are, however, only two direct descendants of the Merovingian dynasty, namely Plantar and Saint-Claire. The two maidens lived in an unknown secret place." The fraternity is most likely protecting them
Sophie repeated the name of the crows in her mind and then shook her head. There was no one in the house.
Her handler holds the nickname "Blantar" or "Saint-Claire." Now Sophie felt a wave of exhaustion and depression creeping in. She realized that she was no closer to understanding the truth her grandfather wanted a distraction to reveal than she had been when she was in the Louvre. She wished her grandfather had never mentioned her family this afternoon. He lost old wounds that became more bitter now than ever
PAST
They're dead, Sophie. They'll never come back. I remember her mother singing to her at night.
Her father, who carried her on his shoulders and turned her around. I found her and her younger brother when they had bright green eyes. It was all stolen from her. Her grandfather was all she had left
... He's gone too. We're alive.
Sophie met silently at The Last Supper and stared at Mary Magdalene's hair
The hottest and the hottest. There was something in this woman's face that reflected the pain of losing a dear grief in her heart. Sophie could have felt that, too.
Robert?" She said she wanted to talk to you.
So he approached her.
I know Leigh said the grizzly story is all around us, but I hear all of this.
For the first time this evening.
Langdon seemed to want to pat his hand on her piper, but he backed away. I have heard
"It's got Sophie, and everybody's heard about it, but I just don't pay attention to it when we hear about it.
The grizzly story is all around us, but not in a direct way. So when I got to the hospital,
The Church, by prohibiting the exiled Mary Magdalene, was to have her story and her importance told through generations, but in indirect and most reprehensive ways.... Methods based on metaphor and symbolism."
"Of course... By the way of the past.
Langon pointed to The Last Supper. "Here is the most eloquent example of this: the abundance of the futon
"Today's influence, from literature and musicians that indirectly tell the story of Jesus and Mary Magdalene, Langdon quickly told her about the works of Da Vinci, Boticelli, Busan, and Bernini
Mozart and Victor Hugo have all secretly whispered the story of the search for the expelled sacred Athenia and its retrievals. The eternal legends of Sir Gawain, the Green Knight, Arthur, and the Sleeping Princess, were a euphemm for the grizzly. And Victor Hugo the Hunchback of Notre Dame, and Mozart's magical flute symphony was full of Masonic symbols and grizzly secrets when you open your eyes to the Holy Grail, "Langdon said," You'll see it everywhere. Fi.
Paintings, music, and books. Even in cartoons, amusement parks and movie theaters."
Langdon picked up the watch where Mickey Mouse painted and told her that Walt Disney's goal was
The life he had worked all his life to achieve was to pass on the story of the grizzly to future generations. Disney has been called the modern-day da Vinci billionardo. Both men were ahead of their time and were singularities, and both belonged to secret societies
They had a special sense of humor like no other. Walt Disney, Cleonardo, liked to poke hidden letters and secret codes into his art. For a code-savvy world, watching an old Disney movie was like showering with hints and metaphors. Disney's mostly hidden messages dealt with religion and mythology.
Idolatry and stories about enslaved gods. It wasn't a coincidence that Disney revived stories like Cinderella, The Sleeping Princess, and Snow White. All of these stories dealt with the issue of the Atheists' sacred captivity and imprisonment, and one did not need a hidden symbolist to understand that Snow White—a princess who fell from heaven after taking a bite from a poisoned inference—was a clear hint of Eve's fall from the Garden of Eden. Or that the story of the sleeping princess Aurora – the name that stands for the rose, who hid in the depths of the forest to take shelter from Bran.
Childish intelligence that spreads among its employees. Its artists also still have fun poking avatars into Disney products from time to time. Langdon will never forget the day when one of his students brought into the classroom a cartoon movie The Lion King and pressed the stop button froze the image to reveal the word sex quite clearly, formed by the sand fragments above the exponent of one of the characters, Simba, although Langdon was aware that this was no longer a joke by a novice cartoonist and not a form of reference to a pagan idea based on the principle of human sexuality. The incident taught him not to underestimate Disney's understanding of symbolism. The story of the little nymph was a striking example of a spiritual symbolism that was so closely linked to the female theme of the goddess that it could not be considered a coincidence.
When Langdon first saw The Little Mermaid, he shouted loudly when he paid attention.
To the painting in Ariel's underwater house was in fact none other than the seventeenth-century painting of Tappe Magdalene by Elvan Georges Delatour. Which was a famous tribute to the memory of the exiled Mary Magdalene, and not only did the symbolic references stop here, but it turned out in the end that the entire film consisted of ninety minutes of stark symbolic posters referring to the sanctity of Isis, Eve and Pisces as a female goddess, in addition to repeatedly referring to Mary Magdalene. The name of the little nymph Ariel was also associated with the cruel anti and in the Gospel of Isaiah the name was synonymous with the besieged holy city." And of course the nymph hair
The red line was not a coincidence at all, approaching the sound of cracking tying crutches in the hallway. His footsteps had become fast.
Suddenly, when their host entered the office, his face was strangely scratched.
"Better explain it to me, Robert," said Broad. You weren't honest with me.

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