They're called pain-tings because some bear terrible truths
It hurts to make them
It hurts to break them
So they're expected to hang in galleries
Where metropolitans pay twenty-five dollars a ticket to witness masochistic marvels
To sit and listen to the tragic backstories and pointed messages
Sung through canvas and clay and papier-mâché
It's just another day
When I climb the Guggenheim's slope and see you
Bright red boots and cartoon faces
Throwing footballs into a baby blue sky
Devoid of black and grey like the other tour de forces
Hanging in this gallery
Beautiful anomaly,
How did you get here?
Because to other artists, you are illegitimate
Just a filler piece painted by a happy French idiot
But what those intellectuals fail to understand
Is that sometimes we just want Andy Warhol soup cans
Instead of abstract reminders that the world is a terrible place
We have to face that fact every time we wake up
Can't a heartbroken human have a pretty picture for once?
Not every brush stroke needs to have spunk
If it's art, then there's nothing to validate
It's your own interpretation
It's important but it's not important
So it's important to remember
That mistakes aren't that devastating
In fact, some are masterpieces too
And in the midst of all this creative hullaballoo
Let's stop pretending that good original expression has to be complicated
Paint and play and sing and scream whatever you desire
Because even if it has no meaning,
It still exists
So it must have a purpose.
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Daisy Chains {Completed}
PoetryIn which a nineteen-year-old shows you snapshots of her freshman year (and the following summer) through paragraphs and pretty adjectives. | completed / updated sporadically