☀️ 𝓓epicting 𝓣he 𝓓ivine ☀️

go ~ aśva

''The cow and horse, go and aśva, are constantly associated. Usha, the Dawn, is described as gomatī aśvavatī; Dawn gives to the sacrificer horses and cows. As applied to the physical dawn gomatī means accompanied by or bringing the rays of light and is an image of the dawn of illumination in the human mind. Therefore aśvavatī also cannot refer merely to the physical steed; it must have a psychological significance as well. A study of the Vedic horse led me to the conclusion that go and aśva represent the two companion ideas of Light and Energy, Consciousness and Force, which to the Vedic and Vedantic mind were the double or twin aspect of all the activities of existence.

It was apparent, therefore, that the two chief fruits of the Vedic sacrifice, wealth of cows and wealth of horses, were symbolic of richness of mental illumination and abundance of vital energy. It followed that the other fruits continually associated with these two chief results of the Vedic karma must also be capable of a psychological significance. '' 

''The Dawn is the inner dawn which brings to man all the varied fullnesses of his widest being, force, consciousness, joy; it is radiant with its illuminations, it is accompanied by all possible powers and energies, it gives man the full force of vitality so that he can enjoy the infinite delight of that vaster existence.

We can no longer take gomad aśvāvad vīravad rādhaḥ in a physical sense; the very language of the Veda points us to quite another truth. Therefore the other circumstances of this god-given wealth must be taken equally in a spiritual significance; the offspring, gold, chariots are symbolical; śravas is not fame or food, but bears its psychological sense and means the higher knowledge which comes not to the senses or the intellect, but to the divine hearing and the divine vision of the Truth; rādho dīrghaśruttamam, rayiṁ śravasyum is that rich state of being, that spiritually opulent felicity which turns towards the knowledge (śravasyu) and has a far-extended hearing for the vibrations of the Word that comes to us from the regions (diśaḥ) of the Infinite. 

Thus the luminous figure of the Dawn liberates us from the material, ritual, ignorant misunderstanding of the Veda which would lead us stumbling from pitfall to pitfall in a very night of chaos and obscurity; it opens to us the closed door and admits to the heart of the Vedic knowledge.''

''...this close connection in the mind of the Vedic Rishis between the idea of light, of the rays or cows, and the idea of the truth is even more unmistakable in another Rik, I.92.14, gomati aśvāvati vibhāvari ... sūnṛtāvati, "Dawn with the shining herds, with thy steeds, widely luminous, full of happy truths." A similar but yet more open phrase in I.48.2 points the significance of this collocation of epithets, aśvāvatīr gomatīr viśvasuvidaḥ, "Dawns with their radiances (herds), their swiftnesses (horses), rightly knowing all things."

These are by no means all the indications of the psychological character of the Vedic Dawn that we find in the Rig Veda. Dawn is constantly represented as awakening to vision, perception, right movement. "The goddess," says Gotama Rahugana, "fronts and looks upon all the worlds, the eye of vision shines with an utter wideness; awakening all life for movement she discovers speech for all that thinks," viśvasya vācam avidan manāyoḥ (I.92.9).[Sri Aurobindo - The Secret of the Veda]

''A symbol, as I understand it, is the form on one plane that represents a truth of another. For instance, a flag is the symbol of a nation. But generally all forms are symbols. This body of ours is a symbol of our real being and everything is a symbol of some higher reality. There are, however, different kinds of symbols...Conventional symbols, such as the Vedic Rishis formed with objects taken from their surroundings. The cowstood for light because the same word go meant both ray and cow, and because the cow was their most precious possession which maintained their life and was constantly in danger of being robbed and concealed. But once created, such a symbol becomes alive. The Rishis vitalised it and it became a part of their realisation. It appeared in their visions as an image of spiritual light. The horse also was one of their favourite symbols, and a more easily adaptable one, since its force and energy were quite evident.'' Sri Aurobindo - Letters on Yoga-III