o. writing help!
( NAMING YOUR STORY! )
' to help you come up
with a creative title '
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a good title is like a good opening paragraph: it should be interesting. it should attract the reader's attention. at the very least, it should be appropriate to the rest of the piece.
A FEW RULES OF THUMB:
TITLES SHOULD NOT BE DULL. when you browse a shelf full of novels, or a collection of short stories, aren't you drawn first to the more unusual titles? so are editors, when they look over a stack of submissions. not that "the house" or "the tree" won't be a good story; but titles with a bit more originality stand a better chance.
examples: gone with the wind, the high and the mighty, "the tin star", the silence of the lambs, the maltese falcon, watership down , "the snows of kilimanjaro", fahrenheit 451, the color purple, atlas shrugged.
TITLES SHOULD BE EASY TO REMEMBER. it's hard to tell a neighbor or a colleague about a story if the title's too long and complicated, or hard to pronounce. it's a good idea to keep things clear and simple. you might consider murder on the wzcyiubjekistan express the best writing you've ever done, or the tallahatchie backroad honky-tonk boogie your literary masterpiece, but i doubt either of them would sell. they probably wouldn't ever make it out of the editor's slush pile.
TITLES SHOULD BE APPROPRIATE. don't name your science fiction story "trouble at dodge city" just because that's what the starfleet crew calls your space station. editors will think you've written a western. similarly, lawrence block mentions, in one of his books on writing, a charles mcgarry espionage novel called the secret lovers. block says its title (which refers to spies, who love secrets) led some readers to believe it would be a romance instead.
examples of titles that "fit" their subjects: Raise the Titanic, The Firm, "A Rose for Emily," The Caine Mutiny, Presumed Innocent, Love Story, In Cold Blood, Riders of the Purple Sage, The Amityville Horror.
that should help you narrow the field a bit as you try to decide on the right title for your story. but the question remains: how exactly do you find a good title? where do you begin your search?
A FEW SOURCES TO JOG THE IMAGINATION:
a title can be a popular expression. gone for good, something's gotta give, the horse's mouth, the usual suspects, good as gold, the whole nine yards.
a title can be a play on words. (sometimes a "twist" of an existing expression.) burglars can be choosers, the cancelled czech, you only live twice, live and let die, the war between the tates, a hearse of a different color.
a title can have a hidden meaning, later revealed in the story. the green mile, rain man, dances with wolves, catch-22, hearts in atlantis, cool hand luke, the shipping news.
a title can come from an existing work. (the bible, shakespeare, etc.) the grapes of wrath, the sound and the fury, the sun also rises, absalom, all that glitters, something wicked this way comes.
a title can be a person's name. hannibal, goldfinger, carrie, hondo, rebecca, doctor zhivago, shane, forrest gump.
a title can be a place name. cold mountain, cimarron, peyton place, jurassic park, lonesome dove, mystic river.
a title can be a possessive. portnoy's complaint, angela's ashes, the optimist's daughter, charlotte's web.
a title can be an association of ideas. often these are words that have a "double meaning," and refer to more than one thing in a story. the eye of the needle, the dead zone, misery, silver bullet, lie down with lions.
a title can be an "event" or "activity." (use "ing" in the first word.) pleading guilty, romancing the stone, waiting to exhale, "riding the bullet," raising helen, finding nemo.
a title can be a memorable line from the story itself. to kill a mockingbird, tell no one, sleepless in seattle, the eagle has landed, they shoot horses, don't they?
a title (if long) can have a "rhythm" another kind of "play on words," this makes a longer title more pleasing to the ear--and easier to remember. the spy who came in from the cold, the sins of rachel cade, at play in the fields of the lord, bring me the head of alfredo garcia.
a title (if it fits the story) can be simple. jaws, shogun, cathedral, the exorcist, ragtime, lolita, deliverance, airport, "the swimmer," roots, centennial, it, the godfather.
in fact, it has been said that most titles on bestseller lists are no more than three words long. (but they have to be the right words.)
"TRADEMARK" TITLES
a number of famous writers have come up with a way to make their titles do extra work for them. how? they create titles that follow a pattern unique to their particular "series" of stories.
janet evanovich uses numbers: one for the money, two for the dough, three to get deadly, four to score.
sue grafton uses letters of the alphabet: a is for alibi, b is for burglar, c is for corpse, d is for deadbeat.
for james michener, it was one-word titles: chesapeake, space, hawaii, caribbean, alaska.
john d. macdonald chose colors: the lonely silver rain, the dreadful lemon sky, the long lavender look.
john sanford's trademark is the word "prey": silent prey, mind prey, mortal prey, sudden prey.
martha grimes used names of english pubs: the old silent, the dirty duck, the old contemptibles, the anodyne necklace.
robert ludlum's thrillers had three-word titles: the bourne identity, the matarese circle, the rhinemann exchange.
james patterson chooses nursery rhymes: roses are red, jack and jill, three blind mice, along came a spider.
a note.
i have a headache and
i have so much summer
work for ap classes fuck
also, I HAVE SO MANY
CHAPTERS ON CREATING
TITLES LOL
YOU ARE READING
WRITING HELP. TIPS
Random𝙒𝙍𝙄𝙏𝙄𝙉𝙂 𝙃𝙀𝙇𝙋. i get by with a little help from my friends! lowercase intended.
