JAS BACK HUGGED HIM AND HE WITH A JERK LOOKED BACK
HE SAW JAS RESTING HER HEAD ON HIS BACK HER EYES CLOSED AS IF SHE IS AT PEACE AND SHE IS
HE FINISHED HIS CALL IN 5 MINS CUTS IT AND TURNS AROUND WITHOUT MAKING HER LOSE HER POSITION HE TURNED AND MADE HER HEAD REST ON HIS CHEST
ALY TOO PUTS HIS HAND AROUND HER IN A HUGGING MANNER AND RESTS HIS HEAD ON HERS WITH EYES CLOSED (AYE HAAYE SUKOON HUME MILA)
J: GOOD MORNING (SHE SAID CUTELY AND KISSED HIS CHEST)
A: GOOD MORNING (HE SAID RUFFLING HER HAIR)
JAS LOOKED UP AT HIM WITH A SMILE AND HER EYES TINY JUST LIKE SHE HAS AFTER HER SLEEP
ALY LOOKED AT HER AND SMILED WIDELY. HE PINCHED HER NOSE LIGHTLY
A: KITNI CUTE HAI TU
J: I AM SORRY (SHE SAID AGAIN HUGGING HIM)
A: KIS LIYE
J: KAL KE LIYE
A; MMMM HMM CHOD KAL KA WOH TOH AISE HI
J: NAHI PHIR BHI I AM SORRY
A: KOI NAA BABA IT'S OKAY (KISSED HER HAIR ON TOP)
J: I LOVE YOUU
A: I LOVE YOU TOO CHAL AB MUJHE AAJ CHOTE MOTE SHOOTS HAI WOH COMPLETE KARKE AATA HU
J: TUNE BAAT KARLI (RELEASING THE HUG AND DISTANCING HERSELF A LITTLE FROM HIM)
A: HA MAINE KAR LI U BHI KAR LE JALDI HMM ? (HE ASKED)
J: OKAYY
A: CHAL BYE PHIR (AND KISSED HER FOREHEAD)
J: JA RAHA HAI
A: HA KYU (TURNING TO HER AS HE WAS ON THE ENTRANCE OF THE BALCONY)
J: NAHI AISE HI MUJHE LAGA NAHANA HAI
A; NAHI NAHA LIYA MAINE
J: HMM OKAY BYE
A; HAA
HE GRABBED HIS THINGS AND JASMIN WAS IN THE HALL
ALY WAS ALL READY TO GO
A; AUR HA JO KAL KIYA PHIRSE MAT KARNA
J: HA PROMISE PAR KAL THODA ITNENSE HO GAYA THA AUR WOH RAGHAV BHI AANE WALA THA ISILIYE KIYA SORRY (SHE EXPLAINED HERSELF)
ALY HIT HIS FOREHEAD
A; AREY BABA USKI BAAT NAHI KAR RAHA MAIN JO KAL RAAT KO KI USKI KAR RAHA HU
J: KAL RAAT ? (SHE ASKED CONFUSED)
A; HA JO MUJHE SULA KAR KHUD HEADBOARD PAR SO GAYI YE AKHIRI BAAR HAI PHIRSE NAHI TERI GARDAN MEIN DARD LAG JAAYEGA
J: AREYY WOH NAHI CHOD I WAS VERY COMFORTABLE TAKIYE LAGAYE THE NA (SHE SOUNDED NOT INTERESTED MUCH)
A: NAHI JASMIN PHIR BHI NOT AGAIN
J: OKAYYY TERA SAR DARD THEEK HAI AB
A: HA BOHOT ACHA HAI BYEE DHYAAN RAKH TU
J: YUPP BYEE JALDI AAJANA
A: TRY KARUNGA
HE LEFT AND JASMIN LOCKED THE DOOR
SHE ALSO CALLED OUT AND SCHEDULED ALL HER SHOOTS SYSTEMATICALLY
THAT DID TAKE HER MANY HOURS TO DO SO AND TODAY WAS HER FREE DAY
IT WAS 7 AND THE DOORBELL RINGS
JASMIN OPENS IT AND ALY ENTERED
HE GIVES HER A QUICK SMALL HUG AS SHE WAS ON CALL
AND LEAVES TO GET FRESH
HE COMES OUT AND SETTLES HIMSELF BESIDE HER WHO WAS STILL ON THE CALL
J: NAHI ALIM TRY KAR NA MUJHE FREE REHNA HAI (SHE SOUNDED SAD)
ALY DID HEAR CAREFULLY WHAT SHE WAS SAYING BUT COULDN'T MAKE OUT THE ACTUAL CONVERSATION BUT WAS USING HIS PHONE
AFTER SOMETIME JAS CUTS THE CALL AND LOOKS STRAIGHT BUT A BIT SAD
ALY AFTER FEW MINS NOTICED THAT THERE WAS NO VOICE OF HER SO HE LOOKED AT HER DIRECTION
SHE WAS LOOKING SAD AND WAS STARING HER HOME SCREEN
A: MUJHE PATA HAI MAIN HANDSOME HU PAR ITNA GHURNA BHI HANIKARAK HAI MERE LIYE (HE JOKED LOOKING AT THE SCREEN)
SHE THEN NOTICED HER SCREEN AND UNDERSTOOD WHAT HE SAID. SHE PASSED A WEAK SMILE TO HIM AND AGAIN LOOKED AT THE SAME DIRECTION
ALY KEPT HIS PHONE ASIDE AND SHIFTED CLOSE TO HER
HE SLID HIS HAND AROUND HER STOMACH AND PULLED HER CLOSER RESTING HIS HEAD ON HER SHOULDER.
HE KISSED HER NECK ONCE AND TOOK IN HER PERFUME SMILE GIVING HER TICKLISH FEELING BUT SHE DIDN'T RESPOND MUCH ONLY TILTING HER HEAD WHERE HE MADE HER FEEL TICKLISH IN REFLEX
A: KYA HUA (HE ASKED IN SERIOUS TONE RESTING HIS HEAD ON HER SHOULDER)
J: (STARTED LOOKING AT HER NAILS AND HIT THEM TOGETHER IN ORDER TO GET DISTRACTED)
A; JASMIN KYA HUAA (HE ASKED HER LOVINGLY)
J: SHOOT HAI US DIN
A: CANCEL KAR NA
J: NAHI KAR SAKTI UNKE CONTRACT MEIN LIKHA THA KI SIRF EMERGENCY MEIN CANCEL HO SAKTI HAI LEKIN AISE SHAADI AND ALL KE LIYE NO CANCELLING IT I HAVE TO DO IT
A; MHHH HMM (HE RUBBED HER WAIST LIGHTLY) KOI NA
J: RAHUL AND DISHA (SHE ASKED WORRIED AND TENSED)
A: SAMJHA DENGE
J: MUJHE BHI DEKHNI HAI SHAADI (SHE SOUNDED LOW AND LOOKED DOWN)
A: KOI NA BABY TU BAAKI SAB FUNCTIONS ATTEND KAREGI NA
J: BUT ALY BAKI SAB TOH SHAADI JAISE NAHI HOTE NA
A: I KNOW PAR AB KYA KAR SAKTE HAI
J: HMM
HE GAVE HER SILENCE FOR SOME MINS AND SHE TOO STAYED SILENT
