ALY WAS SO ENGROSSED IN HIS PHONE THAT HE DIDN'T NOTICE THE TIME. AND THE TIME HE NOTICED IT, IT WAS 11:00
A: SHITT 11 BAJ GAYE ALY TUJHE TOH TIME KA PATA HI NAHI CHAL RAHA
HE GOT UP AND WALKED INTO THE BEDROOM
AS HE ENTERED HE SAW JASMIN SLEEPING ON HER SIDE PEACEFULLY WITH HER BACK TO HIS SIDE
HE WALKED TO HER AND SAW HER PEACEFUL FACE
ALY JUST CARESSED HER HAIR LIGHTLY AND KISSED HER FOREHEAD
HE GOT CHANGED AND LIED DOWN ON HIS SIDE
HE BADLY NEEDED LOVE NOW. HE WANTED TO BE IN HER EMBRACE AND FEEL HER TOUCH ON HIM OR HER HUG
HE WAS TOSSING LEFT AND RIGHT CAUTIOUSLY AS HE DIDN'T WANTED TO DISTURB HER SLEEP
ALY COULDN'T SLEEP AT ALL
HE TRIES TO MAKE HER TURN TO HIS SIDE SO THAT ATLEAST HE COULD HUG HER BUT HE HAD NO GUTS TO SPOIL HER PEACEFUL SLEEP
HE NOW FACE THE CEILING WITH HIS EYES OPEN STARING THE CEILING AND MENTALLY ABUSING HIS SLEEP FOR DISTURBING HIM SO MUCH
HIS FACE SHOWED ALL THE IRRITATED EXPRESSIONS HE WAS MAKING UNKNOWN TO HIM
JAS TOSSED AT THE SAME TIME SHE SHIFTED TO HIS SIDE AND HER EYES WENT OPEN IN A REFLEX SEEING HIM IN HER SIDE
AS SHE NOTICED HIS WEIRD EXPRESSIONS SHE LIFTED HER HEAD A LITTLE UP TO CONFIRM IF IT WAS FOR REAL AND YES IT WAS
J: (LAID BACK DOWN ON HER PILLOW AND CLOSED HER EYES) KYA KAR RAHA HAI ALY CEILING KO DEKH KE AJEEB SE SHAKAL KYU BANA RAHA HAI
ALY IMMEDIATELY TURNED AFTER HEARING HER VOICE
A; TU KYU UTHI (HE ASKED SOFTLY)
J: UTHI NAHI BAS TOSS HO RAHI THI TOH TUJHE AISE DEKHA (STILL EYES CLOSED)
A: NAHI WOH BAS AISE HI (HE SAID CUTELY STILL STARING THE CEILING)
THERE WAS AGAIN THE SAME SILENCE
ALY TOOK HER GLIMPSE HOPING SHE WOULD ASK BUT WHEN SHE SAW HER AGAIN SLEEPING HE CONTINUED HIS STARING THE CEILING
J: KYA HUA ALYY (SHE ASKED LOVINGLY IN HER DEEP SLEEP)
A: MUJHE TERE PAAS SONA HAI (HE SAID CUTELY LOOKING AT HER)
JAS OPENED HER EYES WITH A SMILE AND LOOKED INTO HIS
ALY WAS TOO LOOKING INTO HERS CUTELY AND HIS EYES SPOKE AND CRAVING FOR HER
J: KYA BABY HUG KAR LENA CHAHIYE NA (HOLDS HIS HAND TRIES PULLING HIM)
A: TU SO RAHI THI TERA NEEND NAHI KHARAB KARNA THA
J: HMMMM IDHAR AA (SHE WAS PULLING HIM)
ALY SHIFTED TO HER AND JAS ROLLED HER HANDS AROUND HIS NECK PULLING HIS HEAD ON HER CHEST AND STARTED PATTING HIS HEAD
ALY WRAPPED HIS HANDS AROUND HER WAIST AND DUG INTO HER CHEST
FINALLY HE FOUND PEACE AND CLOSED HIS EYES RUBBING INTO HER CHEST MAKING HER GIGGLE
J: AGAR AISE HUG CHAHIYE HO TOH KAR LIYA KAR ALY TUJHE PATA HAI MAIN KABHI TUJHE DUR NAHI KARUNGI
A; HMM PAR TU ITNI PYAARI NEEND MEIN THI KI TUJHE DISTURB KARNE KA MAN NAHI HUA
J: USME DISTURB KYA HAI BAS DO MIN KE LIYE AANKH KHULTI PHIR SO JAATI TERE PAAS TOH SUKOON HI MILTA HAI NA
A: HMMM (HE SAID GETTING INTO HIS SLEEP)
JAS HELD HIM TIGHTLY AND CLOSE TO HERSELF SHE KEPT HERSELF AWAKE UNTIL HE SLEPT. AND HE SLEPT IN NO TIME
SHE SENSED HIS RELIEF BREATH ON HER CHEST AND SHE TOO DOZED OFF
THE NEXT DAY
THEY WAKE UP TO A DIFFERENT AND OPPOSITE POSITION OF JASMIN ON ALY'S HAND AND HIM COVERING HER AS IF PROTECTING HER
JAS AND ALY SAT ON THE BED FIRST COMING INTO REALITY AND GETTING OUT OF THEIR SLEEP
J: GOOD MORNING (SHE SAID LOOKING AT ALY)
HE TURNED TO HER AND SMILED AT HER AND SHE LEANED ON HIM FOR A HUG ALY RESPONDED LIGHTLY AND THEY GET READY RESPECTIVELY
A: AAJ HAI SHOOT (HE TALKED TO HER WHILE TAKING A SPOON OF HIS BREAKFAST AND EYES ON HIS PHONE)
J; HA AAJ PURA DIN SHOOT HAI (LOOKS AT HIM AND MAKES AN IRRITATED FACE) CAN YOU PLEASE THROW YOUR FUCKING PHONE AWAY ATLEAST WHILE YOU ARE HAVING YOUR FOOD
A: AREYY ITNA GUSSA CALM DOWN ANGRY YOUNG WOMAN (AND KEEPS HIS PHONE ASIDE)
J: BETTER (ROLLED HER EYES AND CONTINUED EATING HER FOOD)
A; ITNA GUSSA SEHAT KE LIYE HANIKARAK HAI MADAM
J: TOH GUSSA DILAYA BHI MAT KIJIYE NA SIR
A: MAIN TOH BAS MOBILE DEKH RAHA THA
J: ITNA KYA HOTA HAI TERE PHONE MEIN JO SUBAH SE LEKE RAAT TAK DEKHTA REHTA HAI
A; BAS AISE HI
J: HA TOH BAS AISE HI SIDE MEIN BHI RAK LIJIYE (AND GETS UP ANGRILY)
A; JASMIN ISME ITNA GUSSA HONE KI KYA ZARURAT
J: TU KHA PEHLE (AND WALKED INTO THE KITCHEN)
