× Aladdin ( pt. 1 ) ×

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Aladdin is a set in a distant post - Apocalyptic Future.

In the middle of Aladdin’s make-over in to Prince Ali (fabulous he) Ali Ababwa, Genie declares that his fez and vest combo is ‘much too third century’.

But on emerging from the lamp, Genie has already announced that ‘ten thousand years will give you such a crick in the neck’.

Since Genie has been locked in the lamp for all that time and would be in no position to observe current fashions, this would mean that Aladdin is set in the year 10,300 at the earliest.

In fact, since Genie is voiced by the ridiculously versatile Robin Williams, he can’t help but impersonate a variety of 20th Century personalities (Arnold Schwarzenegger, Groucho Marx, Rodney Dangerfield, Jack Nicholson – to name a few).

This would put the date back even later – meaning Aladdin takes place some time after the year 11,970.

This can then be used to rationalise many of the ‘magical’ elements in Aladdin‘s world (though ironically not Genie himself).

Carpet isn’t just a ‘magical carpet’, he’s a remnant of hover-technology that has been hidden in the Cave of Wonders, presumably to keep it safe from the coming nuclear war that turned the world in to a big empty desert

Similarly, Iago isn’t just another anthropomorphic Disney character.

He’s either the result of a society so obsessed with its pets they developed technology to understand their animal’s every thought (why anyone would want these thought expressed in the voice of Gilbert Godfrey is another question entirely) or a mutation caused by nuclear fallout (slightly more likely, assuming that as the daughter of a Sultan, Jasmine would almost certainly get a translator to understand her beloved tiger Rajah).

Agrabah isn’t even a real place in the history of the Middle East.

Instead it’s assumed this is some form of future corruption of the names Egypt, Arabia and Afghanistan, used as a generalisation since specific nation states are largely irrelevant in the post-apocalyptic wastes.

Advocates of the theory have also looked beyond the motion-picture to the Aladdin videogame for more evidence.

Finding bones of the nuclear war’s dead, buried 20th Century road signs and even unexploded nuclear devices to support the futurist theory.

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