Chapter 138

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Chapter 138 Netizens really want to see it, next time I will give it directly to him...

    The theme song of "Born at Thirty" sung by Peng Chen and Zhong Yuqing unexpectedly became popular, and the person who was most stimulated was probably Yu Fei.

    Because Yu Fei really never dreamed that one day he would see Peng Chen's name on the list of hit songs.

    Although Peng Chen did write a rap called "Green Tea" before, and that song was more popular than the theme song of "Thirty Born", but at that time Peng Chen's identity was only a lyricist, composer Both singing and singing are performed by Ning Meng, so no matter how popular the song "Green Tea" is, in Yu Fei's view, it is still Ning Meng's song, not Peng Chen's.

    But the theme song of "Thirty Born" is different, the singer of this song is indeed Peng Chen!

    Yu Fei sometimes feels that the world is simply playing a joke on him.

    He, a serious singer, wanted to sing the theme song for someone else's movie, but he was rejected. Instead, it was Peng Chen, an actor who sang the theme song for other people's movies. Not only was he accepted, but he also made the theme song popular.

    Now that Peng Chen is writing and singing songs, what is he going to do next? You don't really plan to be a singer and make a record, do you?

    If it were someone else, Yu Fei really didn't dare to think about it, but for Peng Chen, Yu Fei really couldn't guarantee it. Because relying on Peng Chen's previous actions, Yu Fei felt that he would not be surprised if anything happened to Peng Chen.

    His only worry now is that if Peng Chen really makes a record as a singer, won't the record sales be higher than that of a professional singer?

    Just thinking of this possibility made Yu Fei feel like he was about to suffocate.

    Facts have proved that Yu Fei's worries are unfounded. At least at this stage, Peng Chen has no plans to become a singer and release a record at all. She is now concentrating on preparing for the movie called "Reaching for the Stars".

    This play is very difficult for Peng Chen.

    Because this is the first time she has played a mother in a movie, and she is also a mother with a child with autism.

    Although he has played the role of mother in dramas before, in order to better interpret this role in the film, Peng Chen has read many books about autism before the filming started, and has personally encountered many autism Families of disabled children. I don't know whether it's because she has too little contact with these families or the families she met are special cases. In short, the more Peng Chen gets in touch with, the more frightened he is, because these families, no matter they are poor or rich, have a gray background in life without exception.

    A mother said something to Peng Chen. She said that since she had this child, she felt that she had lost the qualification and right to be happy.

    Because the child is still suffering, how can a mother be happy!

    These words left a deep impression on Peng Chen. Later, when she was writing biographies, she deliberately tried to figure out this kind of psychology, thinking that it was probably a kind of psychology similar to atonement. Because the nature of the role of mother makes them subconsciously feel that any bad things about the child are their own fault, so they will feel that since there is no way to alleviate the pain of the child physically, they should torture themselves mentally and let themselves accompany Children suffer together.

    Peng Chen tried not to judge whether this idea was right or wrong, she just tried to restore the truth.

    Thanks to the short two or three months of drama performance experience before, Peng Chen's performance now has richer emotions than before, and now Peng Chen is better than before at understanding the psychology and behavior of the characters in the play from the perspective of them. Just like what Teacher Li said when rehearsing with her before: "If you feel that you can't understand certain thoughts and behaviors of this character, it may be because you look at the problem from your own standpoint and perspective. When you are a character, you can’t have yourself, and you shouldn’t have yourself. You are the character itself, and the character is you.”

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