The sitting-room of the Masons was a very singular apartment. At one end it was furnished with considerable luxury. The deep sofas, the low, luxurious chairs, the voluptuous statuettes, and the rich curtains hanging from deep and ornamental screens of metal-work made a fitting frame for the lovely woman who was the mistress of the establishment. Mason, a young but wealthy man of affairs, had clearly spared no pains and no expense to meet every want and every whim of his beautiful wife. It was natural that he should do so, for she had given up much for his sake. The most famous dancer in France, the heroine of a dozen extraordinary romances, she had resigned her life of glittering pleasure in order to share the fate of the young American, whose austere ways differed so widely from her own. In all that wealth could buy he tried to make amends for what she had lost. Some might perhaps have thought it in better taste had he not proclaimed this fact—had he not even allowed it to be printed—but save for some personal peculiarities of the sort, his conduct was that of a husband who has never for an instant ceased to be a lover. Even the presence of spectators would not prevent the public exhibition of his overpowering affection.
But the room was singular. At first it seemed familiar, and yet a longer acquaintance made one realise its sinister peculiarities. It was silent —very silent. No footfall could be heard upon those rich carpets and heavy rugs. A struggle—even the fall of a body—would make no sound. It was strangely colourless also, in a light which seemed always subdued. Nor was it all furnished in equal taste. One would have said that when the young banker had lavished thousands upon this boudoir, this inner jewel-case for his precious possession, he had failed to count the cost and had suddenly been arrested by a threat to his own solvency. It was luxurious where it looked out upon the busy street below. At the farther side it was bare, spartan, and reflected rather the taste of a most ascetic man than of a pleasure-loving woman. Perhaps that was why she only came there for a few hours, sometimes two, sometimes four, in the day, but while she was there she lived intensely, and within this nightmare room Lucille Mason was a very different and a more dangerous woman than elsewhere.
Dangerous—that was the word. Who could doubt it who saw her delicate figure stretched upon the great bearskin which draped the sofa. She was leaning upon her right elbow, her delicate but determined chin resting upon her hand, while her eyes, large and languishing, adorable but inexorable, stared out in front of her with a fixed intensity which had in it something vaguely terrible. It was a lovely face—a child's face, and yet Nature had placed there some subtle mark, some indefinable expression, which told that a devil lurked within. It had been noticed that dogs shrank from her, and that children screamed and ran from her caresses. There are instincts which are deeper than reason.
Upon this particular afternoon something had greatly moved her. A letter was in her hand, which she read and re-read with a tightening of those delicate little eyebrows and a grim setting of those delicious lips. Suddenly she started, and a shadow of fear softened the feline menace of her features. She raised herself upon her arm, and her eyes were fixed eagerly upon the door She was listening intently—listening for something which she dreaded. For a moment a smile of relief played over her expressive face. Then with a look of horror she stuffed her letter into her dress. She had hardly done so before the door opened, and a young man came briskly into the room. It was Archie Mason, her husband—the man whom she had loved, the man for whom she had sacrificed her European fame, the man whom now she regarded as the one obstacle to a new and wonderful experience.
The American was a man about thirty, clean-shaven, athletic, dressed to perfection in a closely-cut suit, which outlined his perfect figure. He stood at the door with his arms folded, looking intently at his wife, with a face which might have been a handsome, sun-tinted mask save for those vivid eyes. She still leaned upon her elbow, but her eyes were fixed on his. There was something terrible in the silent exchange. Each interrogated the other, and each conveyed the thought that the answer to their question was vital. He might have been asking, "What have you done?" She in her turn seemed to be saying, "What do you know?" Finally, he walked forward, sat down upon the bearskin beside her, and taking her delicate ear gently between his fingers, turned her face towards his.
