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Years later, Zhuang Yan devoted himself to the preparatory work of the film.

Hearing that he found Xie Ning, the master art artist, Zhao Yang was also very relieved.

The art department is the most important department second only to the director group in the movie, and its importance is extraordinary.

In addition to conceptual design and scene design for the film, in a broad sense, the art department is also responsible for the entire film "serving the way", that is, clothing, makeup, and props.

It is naturally impossible to leave it to Xie Ning to co-ordinate. Zhuang Yan’s crew has an art director, called Wang Jianjian, known as Brother Jian, the name is quite cute, but his personality is stubborn, and he stays on his chin catching the trend. A stubble beard.

Many domestic production crews, especially small production crews, have no difference between the art director and the main art, but they are clearly separated abroad. Zhuang Yan stayed abroad for a long time, and the division of art groups also had certain regulations.

Art directors generally do not specifically participate in the design, but only control in the general direction. They mainly supervise and manage, coordinate the work of various groups of personnel, and design the overall visual style, so that the style and color adjustment of the movie are unified.

The main art is involved in the design of main concepts and scenes, and sometimes also participates in the design of important props and protagonists.

Of course, there are deputy art and art assistants under the main art. Most of the drawings are drawn by these people, and their usual work is drawing.

Some large-scale productions may require hundreds of draftsmen, including but not limited to various buildings, costumes, and props. Designs of all sizes must be drawn and handed over to the props team for production.

For a crew like Zhuang Yan, Xie Ning’s deputy art and art assistants alone, the number of people in total would have to be about ten.

Most of them were recruited by Zhao Yang in China, which is why he would recommend Zheng Jing in the first place.

Zheng Jing has his own studio, and if he is one, it is equivalent to contracting more than half of the art team.

When Zhuang Yan brought Xie Ning to the company, Zhao Yang and Wang Jian were startled.

At first, Zhao Yang thought he was an amateur that Zhuang Yan had discovered. His image and temperament were good, but he looked a little cold and didn't know how the camera felt.

Zhuang Yan glanced at him horizontally: "This is the main art I mentioned to you before, Xie Ning."

Zhao Yang: "..."

This year, even if the director Zhuang Yan is handsome, can he even become a master artist with a good face?

Zhuang Yan introduced Zhao Yang and Wang Jian to Xie Ning.

"This is the producer Zhao Yang. You should discuss with him the budget of the art team; this is the art director Wang Jianjian. You can follow others to call him Brother Jian."

Brother Jian's name is homonymous, and it sounds quite unique.

Xie Ning: "Brother Zhao, Brother Jian."

Wang Jian gradually touched the stubble on his chin and teased: "So you are Director Zhuang's latest new love?"

Zhuang Yan frowned: "What are you talking about?"

Turning his head and explaining to Xie Ning: "Don't listen to his nonsense, I don't even have old love."

Xie Ning smiled and nodded.

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