You Don't Understand The Pain Of Being Popular

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As a senior person who is familiar with various novels and has watched various TV series, Yao Bianliang has done a lot of research on the "poisonous spots" and "thunder spots" in the eyes of the public.

For ancient romance, there are only a few unacceptable plots.

Yao Bianliang: "First, the heroine's background needs to be revised."

"The heroine is not a lady from an official family. She has no noble blood and a distinguished family background worthy of the hero. She is just an ordinary girl who was sold by her parents on the way to flee famine."

"After entering the brothel, the procuress told her that you are a geisha who sells her performance but not her body. But when those rich and powerful masters want her body, she still has to submit."

Although it is only a simple setting modification, in this way, the perfect love story in the eyes of the audience will be completely changed beyond recognition.

A male and a female protagonist? No, the male and female protagonists of this TV series are not in the same place.

The heroine is no longer the "clean" girl who entered the brothel, on the contrary, she has slept with many men. Among these men, there are many disgusting pig-headed men, greasy men with big ears, and even old men who are obsessed with sex...

When the public watches this kind of drama, what they emphasize is a sense of substitution. Take the initiative to substitute yourself into a talented man and a beautiful woman, have a romantic love, and dream a sweet dream.

Therefore, in the ancient romance dramas filmed today, almost all the heroines are innocent. There is no screenwriter who dares to write this kind of experience for the heroine - whoever dares to write like this will be scolded to death by the audience.

Since no one dares to write, let her create this brand new subject!

Yao Bianliang felt that when the time came to refine the details, he could also describe in detail how disgusting the heroine's "benefactors" were, and how miserable the heroine was when she was forced to pick up the guests.

This item alone will definitely be able to poison a lot of viewers.

Of course, just this poison point is not enough.

Yao Bianliang continued: "Secondly, when the heroine is taken back to the palace by the hero, what greets her is not a life of luxury, but a deeper level of powerlessness and despair."

The audience saw the heroine being bullied in the brothel, so they naturally expected the heroine to marry into the palace, and then slap all kinds of vicious villains in the face.

But Yao Bianliang will not meet the audience's expectations. If it makes the audience happy, can it still be called an aggrieved plot?

The heroine did not get married in a good way, on the contrary, because of her status as a prostitute, she did not have a lot of red makeup, no cheers, and no crowds of onlookers.

She just got into a small sedan chair and entered the palace through a side door on an ordinary morning.

A climactic plot that should have been so refreshing was just told in an understatement. It would be strange if the audience didn't feel aggrieved!

"The next big part of the plot is not much different from the original text," Yao Bianliang said, "However, I think it is only necessary to keep the part where the heroine is oppressed and bullied. It's good to weaken all of them."

Do you think that after being redeemed, you will be free and become a concubine in the palace, you will be able to get rid of the mud and enjoy the infinite scenery?